![]() It finally sounded like I always thought it should. Well the range of sounds that came out of that guitar now was stunning. Next I read about the Fezz Parka mod (aka 50s wiring) and decide to try that. All the settings seemed to sound just too much the same. But I still felt that somehow I should be able to get more of a variety of sounds from 3 so very different pickups and a 5 position switch. I guess the treble bleed just sounded 'fake' to me. So I read a bunch of stuff on the internet and first I decide to get rid of the treble bleed that comes stock on that guitar. Two weeks ago I decided to get serious about figuring out why my Ibanez RG-570 with Dimarzio Air Norton in the neck, Blue Velvet (reverse wound, reverse polarity) in the middle, and Evo2 in the bridge never sounded anything like I had hoped from pickups of that quality. The main complaint I hear from people when they try the 50s wiring mod is that the volume drops almost totally as you turn down from 10 to 8. I want to share a recent discovery concerning the most commonly cited problem with "50's wiring" (or the Fezz Parka mod, or any of several other names.).
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